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Jane M. Blocker is a Professor of Contemporary Art and Theory at the Department of Art History University of Minnesota, Twin Cities, where she also acts as the Director of Graduate Studies and is affiliated with the Moving Image Studies at the Department of Cultural Studies and Comparative Literature. In a note on the back cover of Blocker's ''What the Body Cost'' Lucy R. Lippard writes of her: "Jane Blocker is as good a writer, scholar, and original thinker as feminists could hope for."〔Blocker, Jane. ''What the Body Cost: Desire, History, and Performance'', (Minneapolis: University of Minnesota Press, 2004) ISBN 0-8166-4318-0〕 Blocker received her Master of Arts from the School of the Art Institute of Chicago (SAIC) and her PhD from the University of North Carolina at Chapel Hill where she studied with Carol Mavor. Blocker's research has focused primarily on performance art as it developed concurrently with postmodern, feminist, and constructionist theories.〔(Faculty Profile, Department of Art History, University of Minnesota )〕 Blocker teaches courses on contemporary art, alternative media: Video, Performance, and Digital Art, historiography of Art History, and gender and sexuality in Modern and Contemporary Art. ==Selected publications== * ''Seeing Witness: Visuality and the Ethics of Testimony'', (Minneapolis: University of Minnesota Press, 2009) ISBN 0-8166-5476-X * ''What the Body Cost: Desire, History, and Performance'', (Minneapolis: University of Minnesota Press, 2004) ISBN 0-8166-4318-0 * ''Where is Ana Mendieta?: identity, performativity, and exile'', (Durham: Duke University Press, 1999), ISBN 0-8223-2324-9 * "This Being You Must Create: Transgenic Art and Seeing the Invisible," Cultural Studies 17, no. 2 (2003) * "A Cemetery of Images: Meditations on the Burial of Photographs," Visual Resources XX, no. 2 (May 2004) * "Binding to Another's Wound: Of Weddings and Witness," in ''After Criticism: New Responses to Contemporary Art'', edited by Gavin Butt. (London: Blackwell, 2005) ISBN 0-631-23284-2 * "Failures of Self-Seeing: James Luna Remembers Dino," Performing Arts Journal XXIII, no. 1 (January 2001) * "Woman-House: Architecture, Gender and Hybridity in What's Eating Gilbert Grape?," in Camera Obscura 39 (November 1998), ISSN 0270-5346 * "The Bed Took Up Most of the Room," in Peggy Phelan and Jill Lane, eds., ''The End(s) of Performance'' (New York: NYU Press, 1997), ISBN 0-8147-6647-1 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jane M. Blocker」の詳細全文を読む スポンサード リンク
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